Christopher Levenson's review of "The Exiles' Gallery" and Miranda Pearson's "The Fire Extinguisher"

From Miranda Pearson's website, Christopher Levenson's review in Event Magazine of The Exiles' Gallery, The Fire Extinguisher, and My Shoes Are Killing Me by Robyn Sarah:  

Review in Event Magazine, 2016

Elise Partridge, The Exiles’ Gallery, House of Anansi, 2015 Miranda Pearson, The Fire Extinguisher, Oolichan, 2015 Robyn Sarah, My Shoes Are KillingMe, Biblioasis, 2015 Unlike novels, where events and characters usually inhabit a recognizable world, no necessary correlation exists between poetry and our everyday existence. These three poets, all of comparable age, negotiate that relationship and their common concerns with family, disease, death, travel and, above all, memory in fascinating ways. Having first encountered Elise Partridge’s poems in Fiona Lam’s excellent anthology about cancer, The Bright Well, I knew her work was highly sophisticated and literate. In The Exiles’ Gallery, with its densely allusive grasp of history, archeology and the visual arts, Partridge’s inquiring mind finds almost everything interesting and discovers connectedness between many discrete activities going on simultaneously. This in turn produces a kind of wit not often encountered in Canadian poetry ...more

Imagining a Legacy: Elise Partridge's "The Exiles' Gallery"

Phoebe Wang reviews The Exiles' Gallery in Arc Poetry Magazine:

"In a sea­son of debuts, Elise Partridge’s The Exiles’ Gallery builds like a grand finale. It is her third and final book, the last we will ever receive from this mae­stro of the fine­ly-tuned image. We may nev­er under­stand how Partridge’s qui­et econ­o­my can also be dan­ger­ous­ly unset­tling. In these poems there is a voice sure of its own pitch, telling us of life’s missed chances and the griefs which careen out of our con­trol. It’s like being tak­en to a cliff’s edge by a guide who calm­ly elu­ci­dates its poten­tial ter­rors...more

"The Virtuoso of Upheaval" in Partisan Magazine: Abigail Deutsch reviews the third and final book of a poet worth remembering

In The Exile’s Gallery, the late Elise Partridge’s third, final, and very fine book of poems, nothing stays still. Boats sail and heel. A father swoops his daughter toward the ceiling. A balloon drifts away from earth. And other kinds of drifters seize Partridge’s attention, too...more

Adam Sol on "Domestic Interior: Child Watching Mother," by Elise Partridge

The last couple of poems I’ve posted about have required some rather professorial explanations about the hows and whys and wherefores, so this time I want to turn to a poem that I love mostly because of its exquisite music. The dramatic situation of the poem is not hard to grasp, and the average reader shouldn’t be put off by its approach to its material. So today I’m going to act less like a prof who needs to teach and more like an enthusiastic park ranger who at most might be able to hear and identify a few extra sounds in the field...more

Adam Tavel on "Transfer of Power" on Lyric Essentials on The Sundress Blog

Welcome to Lyric Essentials, where writers and poets share with us a passage or poem which is “essential” to their bookshelf and who they are as a writer. Today Adam Tavel reads “Transfer of Power” by Elise Partridge.

"The poem’s concision, expansive diction, formal control, and irony are marvelous. It reminds me of Philip Larkin, but Partridge’s voice remains distinctly her own..." more

The Art of Noticing by Robert Pinksy

The contemporary poet Elise Partridge, in her book Chameleon Hours, has some observant poems about cancer treatment. I like the directness, clarity and understatement of these poems. Partridge scrupulously avoids playing for sympathy; but beyond that, in “Chemo Side Effects: Memory” she convinces me that her attention to memory loss is absorbing, rich in detail: a little like the fascination a birder or a nature poet communicates in rich textures of behavior...more